创造超越死亡文学的新视点——川端康成新感觉派时期的文学主张  

New sight of transcending the death in literature——literary ideology of Kawabata Yasinari in New Sense School

作　　者：商雨虹[1] 

机构地区：[1]东北师范大学外国语学院,吉林长春130012

出　　处：《东北亚论坛》2006年第6期120-124,共5页Northeast Asia Forum

基　　金：教育部人文社会科学研究"十五"规划项目"20世纪日本文学批评史"(01JA750)

摘　　要：新感觉派运动在日本文学史上只是昙花一现,很快就消失了。但川端康成却被认为是完成新感觉主义的唯一的一位作家,获得了极高的评价。川端康成把新感觉派贯穿始终、成为新感觉派最为成功的作家的主要原因是:川端寄予新感觉派运动的期望主要是在思想方面。即在新的表现当中寻求人生新的救济、找到人类超越死亡的方法。这与新感觉派的其他成员一味地在感觉的表现当中寻求文学的意义从根本上不同。贯穿整个新感觉派时期的川端的文学理念是对人类生命的关注,是对人类超越死亡问题的关心。纵观川端的整个创作生涯,这也是川端文学的核心。New Sense School lasted briefly in Japanese literature. Kawabata Yasinari is considered as the only writer the New Sense School and is highly appraised for that. He practiced the ideology of New Sense in his works. His expectation towards New Sense School is mainly on ideology, seeking the rebirth and the way to transcend the death, which makes him the most successful writer in this literary school. This is completely different from other members of this school who are devoted to pursuing. The literary significance was just in sense expression. The concern on the human life and transcending the death in his literary ideology runs through the entire course of New Sense School . This is also the main theme in Kawabata Yasunari＇s literary career.

关 键 词：川端康成 新感觉派 文学理念 超越死亡 

分 类 号：I313.095[文学—其他各国文学]