论《马耳他岛的犹太人》一剧中的陌生化手法  

On the Alienation Effect in The Jew of Malta

作　　者：闫红梅[1] 苏擘[1] 

机构地区：[1]河北大学外国语学院,河北保定071002

出　　处：《解放军外国语学院学报》2006年第6期90-94,共5页Journal of PLA University of Foreign Languages

摘　　要：在克里斯托弗.马洛的剧作《马耳他岛的犹太人》中,犹太人巴诺巴斯的局外人与评论者地位、剧中人富含哲理性的辩白与卑劣行为所造成的强烈反差,以及旁白与独白中直接对观众而发的问题等手法,与德国戏剧家贝托尔特.布莱希特所倡导的间离手法极其相似,客观上制造了陌生化即间离的效果。In Christopher Marlowe＇s play, The Jew of Malta, Barabas＇ marginal identity, his comments on other characters and dramatic events, the sharp contrasts between sage words and mean deeds, and the questions for spectators in the asides and monologues, together created an alienation effect, which is quite similar to the V-effect that the German playwright Bertoh Brecht advocates.

关 键 词：贝托尔特·布莱希特 马耳他岛的犹太人 陌生化 间离效果 

分 类 号：I561.073[文学—其他各国文学]