中国古代的“象思维”——兼评王树人新著《回归原创之思》  

Chinese Ancient Imago Thinking:Comments on Return to the Original Thinking by WANG Shu-ren

作　　者：张锡坤[1] 窦可阳[1] 

机构地区：[1]吉林大学文学院,吉林长春130012

出　　处：《吉林大学社会科学学报》2006年第6期116-124,共9页Jilin University Journal Social Sciences Edition

基　　金：吉林省社会科学基金项目(2006030)

摘　　要：象思维的基本特征有三:1.本原性的诗性思维;2.象思维之象———“原象”,即非实体性的动态整体之象;3.感性直观,即动态的感性直观。以上三点为王氏所概括,亦为我们所认同。然王氏对卦爻象的阐释还有所“不公”:模糊太极与老子之道的差异,把太极湮灭于“大象无形”之中,忽略甚而抹煞了卦爻象作为最基础最根本之象的原创特质。这一特质的美学意义在于:启示中国文学形象塑造突出直观可视性;为后世审美的“意象”说和重在表意观念的最初发轫;以气之运动构成中国生命美学的精髓。象思维之观以卦爻象与“大象无形”之象两种不同原象体现了不同的心理体验,从而为两种不同意境的创造奠定了思想基础。Return to the Original Thinking, discussed the imago and imago thinking and a book recently published by WANG Shu-ren systematically pointed out that the essence of imago thinking is the fluidity and transforming of imago, which regards the original imago as a non-substantive and creative source. With Heidegger＇ s philosophy as a reference, Mr. WANG broke the objective and static dissecting of the original imago and stressed the firm unity between human being and Tao. However, WANG＇ s elucidation about the imago of divinatory symbols still has certain drawbacks. With the philosophy of Qi （air） as the background, the imago of divinatory symbols is directly visible and can not be regarded as a void. It enlightened the appearance of imago of Mind, and formed the quintessence of the Aesthetics of Living in China with the mobile of Qi. The Gua of imago thinking varies in two kinds, the Gua of divinatory symbols and that of Voidity, who illuminated different kinds of realizing and therefore founded the basis of two kinds of artistic conceptions.

关 键 词：象思维 原象 卦爻象 意境创造 《回归原创之思》 

分 类 号：B83[哲学宗教—美学]