“罪”与“罚”的彰显——论《但泽三部曲·铁皮鼓》的象征意象  

Crime and Punishment: On the Symbolism of The Tintambour

作　　者：周红[1] 

机构地区：[1]四川大学文学与新闻学院,成都610064

出　　处：《同济大学学报（社会科学版）》2006年第6期22-26,33,共6页Journal of Tongji University:Social Science Edition

摘　　要：君特·格拉斯的主要作品《铁皮鼓》承袭盛行于17世纪的巴罗克流浪汉小说的传统,并以其前所未有的张力和丰富博深的象征意象承载并传达着作者宏大的启蒙精神。本文以此为解码口,详细论述《铁皮鼓》中赋有启蒙精神的象征意象,希望以此能够探寻到作者最深邃、最睿智的思想深处,开掘德意志民族的精神本源。Günter Grass is one renowned postwar German writer. His main work The Tintambour won him the 99th Nobel Prize for literature. This novel inherits the tradition of The Baroque Tramp, that prevailed over the 17th century, and becomes the first works of the ＂Trilogy＂. Especially with the unprecedented tension and the abundant symbolic image it loads and transmits the author＇s great spirit of enlightenment. This article takes this as the decoding mouth and discusses the symbolic image detailedly in The Tintarnbour. I hope I can inquire about the author＇s deepest wisdom and the thought with this, and dig the German spiritual source.

关 键 词：君特·格拉斯 《铁皮鼓》 象征 启蒙 

分 类 号：I516.074[文学—其他各国文学]