从象形文字透视天人合一思维模式的形成  

On Formation of Oneness between Heaven and Man Mode of Thought in Perspective of Pictograph

作　　者：张志雄[1] 

机构地区：[1]湘潭大学,湘潭411105

出　　处：《南通纺织职业技术学院学报》2006年第4期58-61,共4页Journal of Nantong Textile Vocational Technology college

摘　　要：象形文字形象化强,具有记事特征,从字形可以看到造字时人们特定的思维方式。天人合一不但是一个重要的哲学命题,而且构成了中国哲学的一种思维模式。从象形文字的造字原理、字形、发展及使用这几个方面看,立象取比的象形文字影响了天人合一思维模式的形成。The shape of pictograph reveals people＇s mode of thought when creating Chinese characters because of its characteristics of image-making and recording. Oneness between heaven and man is not only an important philosophical proposition but also constitutes a mode of thought in Chinese philosophy. In perspective of its forming principles, its shape, its development and applications, pictograph formed through image-making and analogy is found to have influenced the formation of oneness between heaven and man as a mode of thought.

关 键 词：象形文字 天人合一 思维模式 

分 类 号：B2[哲学宗教—中国哲学] H121[语言文字—汉语]