对纪录片中视觉经验技术化暴政的批判和反思——从纪录片《英与白》谈起  

Reconsideration and Criticism on the Tyranny of Visual Experience Technology in Documentaries——A Study of the Documentary Ying and Bai

作　　者：陈将莉[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《湖北民族学院学报（哲学社会科学版）》2006年第5期106-108,共3页Journal of Hubei Minzu University：Philosophy and Social Sciences

摘　　要：张以庆导演的纪录片《英与白》,以其独特的拍摄视角、张扬的叙事手法和深刻的人文关怀而蜚声国内外电视界,但是当我们反观整个纪录片的时候,发现《英与白》中存有诸多人为的视觉技术痕迹,刻意而为的视觉技术编码,纪录片中所彰显的人为关怀似乎也成为了视觉技术隐喻的结果。在当下这样一个由图像、影像等所拼贴的视觉文化时代,纪录片《英与白》给我们提供了新颖的审视视觉文化现象的视角。The documentary Ying and Bai directed by director Zhang Yiqing, depending on its unique perspective,bold narrative technique and profound human concern, has made a sensation in the television circles around the world. However, when we finish the whole documentary, we find lets traces of artificial visual technology and deliberately visual technology coding, besides, it seems that the human concern praised in the film was reduced to the result of visual technology metaphors. The present age, composed of pictures and images, is an age of visual culture. The documentary Ying and Bai provides us with an innovative angle to appreciate the visual culture.

关 键 词：视觉文化 视觉技术 视觉编码 视觉经验 视觉隐喻 

分 类 号：J952[艺术—电影电视艺术]