略论中国文论发展的开合大律问题  

On the Open-Close Cycles in Chinese Literary Criticism

作　　者：林衡勋[1] 

机构地区：[1]湛江师范学院人文学院,广东湛江524048

出　　处：《湛江师范学院学报》2006年第5期26-30,共5页Journal of Zhanjiang Normal College

摘　　要：以中国文化哲学发展的开合大律为理论背景,论述中国文论发展的开合大律问题及其特点:从先秦到魏晋南北朝为特定时段,以《文心雕龙》为标志的民族文论典范模式的形成;自南北朝至宋明为另一时段,是进一步消化、吸收道、佛,主要是佛教文论的大开合;自明末至今为又一时段,是逐渐消化、吸收西方异体文论的新一轮大开合。这新一轮大开合任务异常艰巨且存在诸多变数,至今尚远未完成。还论述了中国文论发展开合大律与文论全球化的关系问题。The issue of open-close cycles in Chinese literary criticism is discussed in the theoretical framework of the open-close principle for Chinese cultural development. In the first period, from pre-Qin to the North and South Dynasties, a model of national literary criticism was formed. In the second period, from North and South to the Ming Dynasty, there was an open-close cycle in absorbing and digesting Taoist and Buddhist （mainly the latter） theories of literary criticism. In the third period, from Ming up to now, it has been a new open-close cycle of absorbing and digesting the Western theories of literary criticism. This last cycle is more arduous and unpredictable, and is not complete yet. The cycle is also related to the ongoing globalization of literary criticism.

关 键 词：中国文论 开合大律 文论全球化 

分 类 号：I209[文学—中国文学]