诗意何为——塔尔科夫斯基电影观  

What Is the Poetry for: Tarkovski’s View on Movies

作　　者：黄文达[1] 

机构地区：[1]华东师范大学传播学院,上海200062

出　　处：《上海大学学报（社会科学版）》2007年第1期35-40,共6页Journal of Shanghai University(Social Sciences Edition)

摘　　要：塔尔科夫斯基电影丰沛的诗意,既不同于散文电影,也不同于原苏联“诗电影”。从词源学的角度,对诗的发展作历史梳理,可以看出诗是人类原初时期的创造性产物,是人类本源性的创造力、想像力的展现。塔尔科夫斯基正是在这一基础上建立他的电影观的。他将诗看作是一种生命的哲学指南,认为影片创作应该借助人类生命本源的想像力,创造影像的诗性智慧。他的影片将自然的真实与心灵的真实直面相对、互动、共震,为电影审美创造新的经验。Tarkovski＇s poetic wisdom differs from ones of prosaic movies or Russian＇s ＂poettc trims＂, This essay,from the view of etymology, sorts out the development of the poetry and points out that poems are both the product of human creativity at the primitive age and the embodiment of his original creativity and imagination. It is on this basis that Tarkovski sets up his view on movies. He considers the poetry as a philosophical guide of life and holds that the production of films should borrow the imagination of the human original life so as to create images of poetic wisdom, His films interact, resonate and deal with the reality of nature and soul, thus creating a new aesthetic experience in the film history.

关 键 词：诗性智慧 诗电影 生命 影像 真实 

分 类 号：J911[艺术—电影电视艺术]