自由的审美空间——阿城小说论  

A Free Space for Appreciating Beauty——On A Cheng's Novels

作　　者：潘文峰[1] 韦茂斌[1] 

机构地区：[1]南宁师范高等专科学校,广西龙州532400

出　　处：《南宁师范高等专科学校学报》2006年第4期45-48,共4页Journal of Nanning Junior Teachers College

摘　　要：二十世纪八十年代,阿城选择了一条不同于伤痕、反思和改革文学的创作道路,以言说世俗为核心,改变了长期以来作为“权力”依附的僵硬的话语模式,从而使小说获得一种相对独立的精神和独特的韵味,阿城小说无疑开创了中国文学新的自由审美的空间。In the 1980s, A Cheng chose to create literatures that were different from those of scars, introspection and reform, Making ＂describing common customs＂ as the core of his novels, he changed the rigid speaking style which had long been an appendage of ＂power＂, thus enabled his novels to obtain a relatively independent spiritand a unique lingering charm, And his novels, undoubtedly, opened a new space for freely tasting Chinese literature.

关 键 词：阿城小说 世俗言说 话语模式 审美韵味 

分 类 号：I247[文学—中国文学]