“主体精神”范畴与中国古代文论的文化研究  

Category of “Essential Spirit” and the Cultural Research in Ancient China's Literary Criticism

作　　者：王刚[1] 

机构地区：[1]陕西师范大学文学院

出　　处：《咸阳师范学院学报》2007年第1期39-43,共5页Journal of Xianyang Normal University

基　　金：咸阳师范学院重点科研基金资助项目(04XSRK114)

摘　　要：在当前的多元文化语境中,中国古代文论研究需要人文化转向,即在文化研究中还原、挖掘其内在的主体精神,从而既形成理论研究的新框架体系,保持本土文论的哲学品格和话语特色,又能借助于文论精神意蕴的学习与传承,启迪当代文人生成“审美新感性”,在新的审美经验模式下寻求生命主体精神的“立言”和“还乡”。In the linguistic context of pluralism, the research of ancient China＇s literary criticism should be orientated to a humanistic approach, i.e., the return and excavation of the essential spirit in cultural study for the sake of a new framework system of theoretical research, and the maintenance of the philosophical character and discourse trait of native literary criticism. Meanwhile, through the learning and inheritance of the implications of the spirit in literary criticism, contemporary people of letters are enlightened to form ＂a neo-sensitivity of taste＂ so that the ＂the expounding of ideas in writing＂ and ＂return＂ of life＇s essential spirit is to be pursued in the new mode of taste experience.

关 键 词：古代文论 主体精神 主体性 审美 新感性 人格 

分 类 号：I209[文学—中国文学]