流行歌曲与中国古典诗词  

Pop Songs and Classical Chinese Poetry

作　　者：张海明[1] 

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《北京师范大学学报（社会科学版）》2007年第1期64-70,共7页Journal of Beijing Normal University(Social Sciences)

摘　　要：古典诗词进入流行歌曲是当代歌坛上的一道特殊景观,也为我们研究文学史上诗与歌的关系提供了一个很好的切入点。古典诗词在现代配乐演唱,主要有还原型、普及型、融合型三种类型,进入流行歌坛的古典诗词主要不是以其在文学史上的地位为先决条件,古今情感的共通性以及融合了古典与现代元素的表现形式更具特殊意义。我们不应照搬诗词的评判标准评价歌词,而必须更多地考虑到它的两栖性特点。古典诗词进入流行歌曲并不意味着最终导致一种新诗体的产生,歌在今天真正摆脱了对文学的依附性而得以回归自身,这正是近二十年来诗与歌此消彼长的内在原因。It is a unique scene in the current singer circle that classical poems and verses are entering into pop songs, a phenomenon that provides us a good cut-in point to scrutinize the relationship between poems and songs. There are three chief types for classical poems and verses entering into modern songs, namely, revivification, popularization, and synthesis. Classical poems and verses that may enter into pop songs are not decided by their status in the Chinese literature history; rather, the commonality of emotion ancient and today, and the representation forms that merge classical and modern factors, have peculiar significance. So it is not appropriate to judge song verses by the criteria for poems and verses, but by their dual characteristics, i.e. both for poem and song. The fact that classical poems and verses entering into modern pop songs does not mean that the trend would lead to the birth of a new poetic style. In fact, songs have already shaken off their attaching status to literature, and recovered to their own. This is the inherent reason why poems and songs have alternatively seen each of their days in the past twenty years.

关 键 词：古典诗词 流行歌曲 诗与乐的融合 

分 类 号：I207.2[文学—中国文学]