杨慎崇尚六朝的诗学取向的批评史意义  

The Significance of YANG Shen's Trend of Poetic Style in Literary Criticism History

作　　者：邓新跃[1] 

机构地区：[1]湖南科技大学人文学院,湖南湘潭411201

出　　处：《唐都学刊》2007年第2期104-106,共3页Tangdu Journal

基　　金：湖南省社科基金项目"明代诗学理论的文体学研究";湖南省哲学社会科学重点研究基地"中国古代文学与社会文化研究基地"阶段性成果之一(06ZC106)

摘　　要：杨慎对六朝诗风的崇尚,是对前七子“诗必盛唐”的反拨,突出表现为对《选》诗的诗歌史地位的强调,对于探讨近体律诗的源头与辨析古近体诗差异,在明代诗学辨体批评史上具有独特的意义,但也带来了以词为诗而导致的“纤艳不逞”的诗风流弊。YANG Shen＇s love for the poetic style of the Six Dynasties is characterized by his stress on Xuan poems in the poetic history of China, which is of great significance in the poetic criticism of the Ming Dynasty by seeking the origin of modern style poetry and distinguishing ancient style poetry from modern style poetry. However, YANG Shen＇s poetic concept brings about some disadvantageous poetic styles.

关 键 词：杨慎 六朝诗风 诗学辨体 批评史意义 

分 类 号：I207.22[文学—中国文学]