论中国先锋小说卡夫卡式的文艺审美观  

Franz Kafka-Style Literary Aesthetic Viewpoints in Chinese Avant-Garde Novels

作　　者：韩小龙[1] 程金城[2] 

机构地区：[1]首都师范大学文学院,北京100089 [2]兰州大学文学院,兰州730000

出　　处：《江汉大学学报（人文科学版）》2007年第2期91-96,共6页Journal of Wuhan Institute of Education

摘　　要：中国先锋作家吸收并整合了卡夫卡的文艺审美观,在超验世界里煎熬,在悖谬情理中体悟,同时用消解的方法化解超验之思与体验之思的冲突,从而由卡夫卡的表现主义走向后现代主义。Chinese avant-garde writers have absorbed and conformed to literary aesthetic viewpoints of Franz Kafka： they have suffered in the transcendent world, experienced in absurd senses and by adopting the dispelling method they have dissolved the conflicting senses between the transcendent and the enlightened, thereby they have moved from Franz Kafka＇ s expressionism to postmodernism.

关 键 词：卡夫卡 先锋小说 超验 悖谬 消解 

分 类 号：I206[文学—中国文学]