笔墨意象 各出机抒——清‘四王’与‘四僧’山水画艺术之见异  

Different Paintings, Different Characters

作　　者：郭忠信[1] 

机构地区：[1]鹤壁职业技术学院,河南鹤壁458000

出　　处：《安阳师范学院学报》2007年第1期141-142,共2页Journal of Anyang Normal University

摘　　要：本文从“四王”与“四僧”山水画的产生,以及所处的时代,形成的相关因素,思想意识,审美取向,和存在的两种不同的个性特征进行了刍议。以引发我们在今天山水画的继承和发展中,启迪一份感悟。In this paper, the author starts with how the landscape paintings of ＂Four Wang＂ and ＂Four Monks＂ came into being, and discusses the correlative factors of forming, their ideology, aesthetic orientation and the two different personality characteristics, so as to provoke us to the inheritance and development of landscape paintings.

关 键 词：四王 四僧 复古主义 革新意识 

分 类 号：J211[艺术—美术]