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作 者:刘飞滨[1]
出 处:《西南大学学报(社会科学版)》2007年第3期29-34,共6页Journal of Southwest University(Social Sciences Edition)
摘 要:游侠诗于建安时期进入士人手中,从现存数量极为有限的作品来看,主要表现为诗人对游侠形象的写实和理想化改造的并存。建安诗人表面上描写游侠,歌唱游侠,其精神实质则是借这一特殊形象表达他们在儒家思想影响下的慷慨入世之情。建安诗人虽然很多时候表现出或力行霸道、或崇尚玄虚、或放浪形骸的行为,但是思想主流却依然是儒家的东西。所以,从儒家思想出发解读建安游侠诗是合乎情理的。The errant knight poems began in the Jian An period. The limited number of these surviving poems was the embodiment of the factual portrait and ideal alteration of the images of the errant knights. The poems praised the errant knights too highly. In fact, the essence of their action was to express their active spirit of entering the society under the influence of Confucianism. Although the poets uphold overbearing, hypocrisy or dissoluteness and unrestraint, their mainstream thoughts are Confucian. So, it is proper and reasonable to interpret the Jian An errant knight poems from the perspective of Confucianism.
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