互文·并置·反讽——《爱情是谬误》的复调叙事艺术  

Intercontext,Simultaneity and Satire—the Artistic Employment of Narrative Multiform in Love Is a Fallacy

作　　者：黎清群[1] 曹志希[1] 

机构地区：[1]湖南省第一师范学校外语系,湖南长沙410002

出　　处：《外语教学》2007年第3期80-82,共3页Foreign Language Education

基　　金：湖南省教育厅普通高校教改研究项目[编号:2006(201)]系列研究成果之一

摘　　要：美国幽默大师马克斯.舒尔曼的幽默叙事作品《爱情是谬误》围绕发生在三位青年大学生之间的一场情感纠葛来展现人物的逻辑谬误、爱情谬误和价值谬误,并由此折射出当代美国社会的种种谬误。本文以复调小说理论为指导,以作品的叙事艺术特征为切入点来对作品做出理解和欣赏。本探索拟从以下三个方面进行:作品的序言和叙事文本之间所形成的互文关系、人物及其多种谬误的并置和反讽喜剧叙事模式的运用。The famous American humorist Max Shulman＇s narrative work of Love Is a Fallacy presents the affection conflicts among three college students, through which several kinds of fallacies such as fallacies in logic, love and value are displayed. Under the guidance of the theory of narrative multiform, this paper is to carry out a research into the artistic methods employed in Love Is a Fallacy from three perspectives ： the interrelation between the preface and the narrative context, the simultaneous display of different characters and fallacies and the employment of the narrative pattern of satirical comics.

关 键 词：《爱情是谬误》 复调 互文 并置 反讽 

分 类 号：I712.074[文学—其他各国文学]