人与世界的和谐乐章——论17世纪法国新古典主义文学的价值取向  

Harmonious Melody of Man and World——On the Attitudes of Value of French Neo-classical Literature in the 17th century

作　　者：武跃速[1] 

机构地区：[1]江南大学文学院,江苏无锡214122

出　　处：《江南大学学报（人文社会科学版）》2007年第2期79-82,98,共5页Journal of Jiangnan University：Humanities & Social Sciences Edition

摘　　要：文章立足于人与世界关系的维度,分析了17世纪法国新古典主义文学的理性价值立场及其艺术得失。从人的主体性来看,它是对文艺复兴时期人性狂欢的一种矫正,同时也是西方文学史上一次别具一格的人的退却。高乃依、拉辛、莫里哀,用悲剧和喜剧的方式,在一个特定的背景上,共同谱写了一曲人与世界的和谐乐章。This essay tries to analyze the attitude of the rational value of neo-classical literature in the 17th century in French based on the relationship between man and the world. From the perspective of the human subject, this is a modification of human revelry in the Renaissance and a peculiar return of human in the literary history of the west. Gorneille, Racine and Moliera composed a harmonious melody in tragedy and comedy under their special circumstances.

关 键 词：法国古典主义 人与世界 和谐 

分 类 号：I109.4[文学—世界文学]