关于20世纪60年代历史剧大讨论的思考  

Reflection on Historical Dramas in the1960s

作　　者：杨利娟[1] 

机构地区：[1]浙江大学中文系,浙江杭州310028

出　　处：《西安电子科技大学学报（社会科学版）》2007年第3期104-107,共4页Journal of Xidian University：Social Science Edition

摘　　要：在“十七年”政治文化批判运动前仆后继的特殊氛围中,60年代的历史剧大讨论因保持了相对独立的学术品格而备受瞩目。其奥妙在于戴着政治的枷锁在学术的舞台上起舞,在“文艺为无产阶级政治服务”的意识形态操纵下,以表面的真实性论争掩盖了问题的现实性本质,从而规避了政治风险。其间也发出了质疑的声音,但实质上却是对政治权力的顺从与逢迎。Arguments of historical dramas in the 1960s distinguished themselves by academic character in special atmosphere when so many cultural movements were politicized. Due to dancing with political bonds in academic stage, and under the ideological control of ＂literature serving the proletariate＂, the arguments hid the real issue of ＂reality＂ with ＂authenticity＂ debate, avoiding political risk. While, their suspicion actually catered to the political power.

关 键 词：历史剧讨论 学术品格 权力操纵 真实性 现实性 

分 类 号：I207.3[文学—中国文学]