美人闺房愁绝——唐五代词“男子而作闺音”范式  

On the Paradigm of "Men Write Ci as Women" in and around the Tang Dynasty

作　　者：李有强[1] 

机构地区：[1]华东师范大学中文系,上海200062

出　　处：《新疆大学学报（哲学社会科学版）》2007年第3期127-131,共5页Journal of Xinjiang University(Philosophy and Social Sciences)

摘　　要：田同之以“男子而作闺音”论词,准确地把握了词最为范式化的特质。花间、南唐词人,在创作中大都“遵循一种惯例性的艺术表现范型”,即“男子而作闺音”范式。这种范式由温庭筠开创,为花间、南唐词人所强制乃至发展和深化。Tian Tongzhi discusses Ci in the words of ＂Men write Ci as Women＂. which this paradigm in terms of Character, Scene and Tingyun and deepened by Huajianci and Nantangci Emotion. ＂Men write Ci as Women writers. accurately grasps the idiosyncrasy of ＂ Paradigm was established by Wen Tingyun and deepened by Huajianci and Nantangci writers.

关 键 词：唐五代词 男子而作闺音 范式 

分 类 号：I207.23[文学—中国文学]