盘点20世纪西方左翼戏剧  

A Survey of the 20th-Century Western Left Theatre

作　　者：李时学[1] 

机构地区：[1]集美大学中文系

出　　处：《世界文学评论（长江文艺出版社）》2007年第1期293-297,共5页The World Literature Criticism

基　　金：教育部人文社会科学基金项目"西方戏剧理论史"(项目批准号:03JB760003)阶段性成果

摘　　要：左翼戏剧有鲜明的政治与美学主张,经历了三十、六十年代两段高潮,主要由德国、法国与英美三大阵营构成。左翼戏剧反叛资产阶级幻觉剧场,突破传统戏剧惯例的戏剧学基点;在戏剧艺术上提出观众“参与”的戏剧美学方式,在社会政治上主张戏剧事件要“介入”社会政治生活,开创了以否定、反叛、颠覆为核心的独特的审美意识形态意义。Theatre of the Left, championed mainly by German, French, British, and American artists, has its clear-cut political and aesthetic ideas and achieved its culmination respectively in 1930s and 1960s. This art of theatre renounces the theatre of illusion acclaimed by the bourgeois and its theatrical traditions, points out the inclusion of the audience in the performing arteclares that the theatrical art should positively intervene in the socio-political life, and, therefore, has established its own aesthetic system centered on renouncing, rebelling, and overthrowing the status quo.

关 键 词：左翼戏剧 反叛 介入 参与 意识形态 

分 类 号：G529[文化科学—教育学]