“三元”说之宗宋及其诗学价值指向  

Sanyuan(The Ternary) Theory's Raising Song and Its Poetic Value

作　　者：周薇[1] 

机构地区：[1]淮阴师范学院中文系,江苏淮安223001

出　　处：《西南大学学报（社会科学版）》2007年第4期144-148,共5页Journal of Southwest University(Social Sciences Edition)

基　　金：淮阴师范学院博士基金项目"同光体人文主义诗学研究"(06HSBS001)

摘　　要："三元"说是陈衍针对今人强分唐宋诗与扬唐抑宋的诗学观所提出的诗学纠偏策略。它以三元皆盛之论,将唐宋诗并列,同时又立足于宋诗,特别以杜、韩、黄为重心,突出宋诗对唐诗的创变与突破,从而确立宋诗地位与特征,对扬唐抑宋诗学观进行纠偏。这一诗学之根本,不在纠缠于诗歌诗艺形式上的高下判别,而关注内容精神之追求。以提倡变风变雅、振兴诗教为旨归,寄寓着关注现实人生的重要的诗学思想.Sanyuan Theory was a theoretic strategy put forward by Chen Yan to revise the arbitrary division of Tang and Song poetry and the poetic ideas of devaluate the Song poetry. Chen Yan advocated that the three were all good, and argued against the division of Tang and Song. Standing on the Song Poems, and laying particular emphasis on Du, Han and Huang, he emphasized that Song Poems＇ innovation and breakthrough was based on inheriting Tang Poems. So he affirmed the value of Song Poems and rectified the deviation of raising Tang and lowering Song. Sanyuan Theory didn＇t pay attention to the superiority of the art form, but pay attention to spirit thought. Sanyuan Theory advocates the change of Feng and the change of Ya, so as to bring the poems into flourish, and pay attention to the real life.

关 键 词：陈衍 三元说 宗宋 变风变雅 

分 类 号：I206.5[文学—中国文学]