论赋的叙事性  

On the Narration of‘Fu’,a Rhythmic Prose Written in Ancient China

作　　者：刘湘兰[1] 

机构地区：[1]中山大学中文系

出　　处：《学术研究》2007年第6期128-133,共6页Academic Research

基　　金：中国博士后科学基金项目<中古叙事文学研究>部分成果(项目编号:2005111004109005)

摘　　要：赋的叙事性有两种表现方式,一是有意识地虚构情节、假设人物,以对话形式叙事,二是信而有征地创作。散体大赋假设客主、一问一答的行文方式,构成赋体独特的叙事结构。赋序具有叙事功能,有的赋序假设情景对话,虚构叙事内容,以揭示作赋目的,有的赋序强调纪实描写,具有史料价值。纪行赋具有历史叙事意义,相对于史书记载而言,纪行赋是另类的历史记载。寓言赋的创作体现了作者"假象尽辞,敷陈其志"的叙事策略。The thesis tries to make a systematic exploration on Fu’s narration from the following aspects. Plain narration is Fu’s unique writing way that supposes usually a visitor and a master, and designs a reply to each other which constitutes the Fu’s distinctive narrative structure. Fu’s preface has a narrative function. In Fu’s prefaces, some suppose a situational dialogue, fictionalize the narrative content and then reveal the Fu’s goal, and some emphasize an on-the-spot description and have historical data value. The Fu on travel diary has historical narrative significance. As to the historical records, the travel diaries are another kind of historical record. The Fu’s fable creation reflects the author’s narrative strategy that makes use of some thing to express his ambition.

关 键 词：赋 叙事性 客主问答 历史叙事 文体学 

分 类 号：I206.2[文学—中国文学]