佛教月意象意蕴及其与诗学的相互影响  

The Images and Implications of Buddhism Moon and Its Interaction with Poetry

作　　者：刘艳芬[1] 

机构地区：[1]济南大学文学院,山东济南250022

出　　处：《西北师大学报（社会科学版）》2007年第4期68-72,共5页Journal of Northwest Normal University(Social Sciences)

基　　金：山东省社会科学规划重点研究项目(06BWZ012);济南大学社科基金重点研究项目(X0701)

摘　　要：六朝时佛教月意象意蕴和诗歌月意象意蕴有着某些相同之处,这使得二者的相互交融成为可能。然而,佛教与诗歌月意象的相互影响不是即时显现的,而是滞后的,这种影响在唐宋时表现得尤为明显:禅诗月意象诗意化、审美化;诗歌月意象意蕴更丰富、境界更高远,带有浓厚的哲学意味和宗教情怀。There were some similarities between the images of Buddhism moon and the images of poetry moon in the Six Dynasty, which makes the two can interact each other. However, this interaction appeared significantly during the Tang and Song Dynasties. Buddhism moon became being poetic, and poetry moon became being philosophical and religious.

关 键 词：佛教 月 意象 诗学 

分 类 号：I01[文学—文学理论]