《庄子》与屈骚意象比较  

COMPARISON BETWEEN IMAGES IN ZHUA NGZI AND QU YUANS' WORKS

作　　者：陈如碧[1] 

机构地区：[1]东莞理工学院城市学院 文学与艺术系,广东东莞523106

出　　处：《云梦学刊》2007年第4期45-48,共4页Journal of Yunmeng

摘　　要：《庄子》和屈骚都以繁多的意象著称,大量的意象形成意象群。总体来说,有以下三个方面的不同:一者不避恶俗,一者尊崇高贵;一者以天然为美,通过"道"连结在一起;一者以修饰为"美",通过情感联系在一起;一者以主观创造者居多,一者多是楚文化的产物。这些区别是由于各自的出身经历、价值体系和创作心态等不同造成的。Zhuangzi and the works ofQu Yuan are both famous for rich images, which have formed groups of images. The images in Zhuangzi differ from those in Qu Yuan＇ s works in the following three aspects： Zhuangzi＇ s images might be secular while Qus＇ tend to be noble; Zhuangzi＇s images take as beautiful the natural objects connected by Tao while Qu＇s images take as beautiful decoration connected by emotion; Zhuangzis＇ images are mainly his subjective creation while Qus are mostly the products of the Chu culture, these differences are resulted from their respective family background, value system and the psyche of creation.

关 键 词：《庄子》 屈原 意象 比较 

分 类 号：I206.2[文学—中国文学]