当代中国实验性话剧文体的电影化倾向  

The Filmic Tendency in the Style of the Experimental Drama of Contemporary China

作　　者：袁联波[1] 

机构地区：[1]长江师范学院中文系,四川涪陵648000

出　　处：《中国文学研究》2007年第3期108-112,共5页Research of Chinese Literature

摘　　要：电影等"非戏剧"因素的介入,使当代中国实验性话剧在充分吸收利用这些文体资源的基础上超越了传统意义上的文体规范。电影化倾向是当代中国实验话剧文体实验性的一个重要体现,主要表现为电影式的镜头化叙事、蒙太奇结构方式和视觉逻辑等。电影化倾向给当代中国实验性话剧文体带来一些新鲜而生动的特质:"空间的能动性"、表演的细腻性和瞬间感受性以及视听性的增强和文学性的弱化等。With the intervention of such non - drama factors as film, the experimental drama in contemporary China, with a premise of fully absorbing and digesting such stylistic resources, has overtaken itself in terms of its stylistic norms. One of the ex- perimentation of the experimental drama in contemporary China lies in its filmic tendency, manifests as a narration in scenes, montage structures and visual logic, etc. Such a tendency has brought the experimental drama in contemporary China several fresh and vivid features： space motility, exquisiteness in performance, moment reception and feeling, the increased visualization and the decreased literariness.

关 键 词：实验性话剧 电影化倾向 文体 当代中国 

分 类 号：I207.34[文学—中国文学]