当代中国影视中的女性形象之嬗变  

The Evolution of the Female Images in the Modern Movies and Television

作　　者：陈嬿如[1] 

机构地区：[1]厦门大学人文学院新闻传播系,福建厦门361005

出　　处：《南开学报（哲学社会科学版）》2007年第4期14-21,共8页Nankai Journal:Philosophy,Literature and Social Science Edition

摘　　要：当代中国影视剧中的女性形象经历了半个多世纪的嬗变,从最初符合时代政治要求的"理想女性"逐渐转变为女性主体意识觉醒后的"女性理想"的追求者,而在社会发展、电视等传播技术普及之后,又逐渐"退化"为符合男性审美期待和心理期望的新一类"理想女性"。这种与社会进步同时出现的女性形象的"反动"值得进一步研究。即便是专门由女性编导为女性观众创作的女性题材电视剧和电影,也在一定程度上与社会主流男权话语中的女性形象妥协。而塑造健康而富有时代感的女性形象,必须认识到健全的男性和女性形象都应该兼备"双性"的性格特征。There are several profound changes of the woman images in Chinese movies and TV dramas. At the beginning, it was the ＂Ideal Woman of New China＂ which was fit to the political ideological time. Later, it was changed to the image that the women sought to independent position. Then, it was the new image that the woman returned to the traditional figure conforming to the man＇s demand after the TV dissemination. To some degree, even the female playwrights are yielded to the male＇s ideal female figures in the movies and TV dramas that they wrote for the female audiences. It is necessary to know that both male and female perfect figures should be with two sexual distinctions.

关 键 词：影视 女性形象 双性特征 

分 类 号：J905[艺术—电影电视艺术]