陕西文学的民间文化特征  

The Folk Cultural Features of Shaanxi Literature

作　　者：赵德利[1] 

机构地区：[1]宝鸡文理学院中文系,陕西宝鸡721013

出　　处：《宝鸡文理学院学报（社会科学版）》2007年第4期63-69,共7页Journal of Baoji University of Arts and Sciences：Social Science Edition

基　　金：陕西省社会科学基金项目(06J005Z)

摘　　要：新时期陕西文学民间文化特色鲜明。农裔的陕西作家独特的人生经历与城籍的文化身份,使他们身处民间,培育养成平民意识和平民情怀,通过文学形象表达的对社会弱势群体的卑微人群寄予的格外关注与深切同情,张扬已被社会淡漠的人的良心、良知和人文关怀。陕西作家大都以民间生活为题材,大量选择借鉴民间传说、民间故事、民间叙述方式,经过作家审美熔炼,创作出属于陕西作家独有的民间文化视角与审美方式的文学作品。在感怀式描绘民众苦难的时候,陕西作家将审美笔触转向民族民间信仰,从中汲取救助苦难的力量(精魂),营构创造救世的偶像。作品中浸润着神性的灵光,表现出陕西作家浓重的泛神性意识和文学审美的超凡的价值取向。The Shaanxi literature of the new era is characterized by striking features.The unique life experiences of the writers from the farmers？families and their cultural identities of the cities make it possible for them to have civilian sense and sentiment,to express their concerns over and sympathy with the interest of the disadvantaged groups and to bring into light the conscience and humanistic solicitude which have long been neglected in the modern society.The Shaanxi writer almost all base their stories on the folk life and adopt folk legends,folk tales and folk narrative techniques in creating literary works exclusively belonging to themselves in terms of folk cultural perspective and aesthetic means.In their description of the sufferings of the folks,these writers turn their aesthetic writing to the ethnic and folk faiths,from which they attempt to draw the salvation spirit and to construct the idol of saving the world.Their works are immersed with spiritual light and thus express the strong pantheistical sense and extraordinary value orientations of their literary aesthetics.

关 键 词：陕西文学 民间文化 悲悯情怀 泛神性意识 偶像创造 

分 类 号：I277[文学—中国文学]