文化地理视野中的诗美境界——唐长安城建筑与唐诗的审美文化内涵  

The Poetic Beauty in the Cultural and Geographical Vision: The Aesthetic and Cultural Connotation of Cbang’an Architecture and the Poetry of Tang Dynasty

作　　者：康震[1] 

机构地区：[1]北京师范大学文学院

出　　处：《文艺研究》2007年第9期49-58,共10页Literature & Art Studies

基　　金：国家社会科学基金重点项目(05AZW001);教育部社会科学研究规划项目(06JA75011-44004);北京市哲学社会科学规划项目(06BaWY020)阶段性成果

摘　　要：唐长安城是唐朝的国都①,是唐长安文化的重要载体与重要组成部分。作为唐朝国家意志的象征,长安城是唐代审美理想物化形态的典范,也是唐诗创作重要的人文环境。唐诗不仅承载着长安城的建筑思想与审美文化,也是不断充实、拓展长安城文化内涵的艺术形式。正是在承载与拓展的过程中,在与周边文化地理环境、都城建筑群体的交流互动中,诗人的创作心态日益成熟,诗歌的审美文化内涵日趋丰富,并呈现出丰富多元的审美形态与审美境界。Chang’an was the capital of Tang dynasty, and therefore an important marker and integral part of Chang’an culture. As a symbol of the state consciousness, Chang’an served as an exemplar of the materialization of aesthetic ideals and an important human environment of poetic writing. Tang poetry not only exemplified the architectural ideas and aesthetic culture of Chang’an city, but also an artistic form enriching and enlarging the connotation of the city’s culture. It was in this process of exemplification and enrichment, and in the exchange and communication between the city’s group architecture and its peripheral cultural and geographical contexts, that the psychology of the poets became mature, thus in turn enriching aesthetic cultural connotation of poetry which led to a rich and multiplied aesthetic form and context.

关 键 词：文化地理 长安城 唐诗 审美 境界 

分 类 号：I207.22[文学—中国文学]