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作 者:左剑峰[1]
出 处:《唐山学院学报》2007年第5期33-36,共4页Journal of Tangshan University
摘 要:形上追求与拯救意识为古希腊美学两大精神,此两大精神奠定了整个西方古典美学的气质。西方古典美学尽管讨论的问题不一,研究方法各异,但在精神气质上却从未逃出古希腊美学的影响。这种影响包括积极与消极两面,积极的影响主要体现在对艺术活动的理解上;消极的影响主要体现在对审美活动的阐释上,造成了西方美学的先天不足,致使美学研究长期缺乏学科主体意识。The Ancient Greek aesthetics pursues metaphysics and saves consciousness, which is the basis of the temperament of the whole western classic aesthetics. Though the problems discussed by the western classic aesthetics are not same and studying methods are different, western classic aesthetics always influences the temperament. This influence is both affirmative and negative. The affirmative influence mainly reflects itself in understanding artistic activities and the negative influence mainly reflects itself in explaining esthetic activities, resulting the congenital flaws of western classic aesthetics and the loss of disciplinary subjectivity consciousness in the study of aesthetics.
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