略论刘勰、钟嵘的“自然”论文学观  

Literary Theory of ＂Zi- ran＂ in Liu Xie＇s and Zhong Rong＇s Works

作　　者：付晓青[1] FU Xiao-qing （Literary School, Shandong University, Ji＇ nan 250100, China）

机构地区：[1]山东大学文学院,山东济南250100

出　　处：《新乡师范高等专科学校学报》2007年第4期93-96,共4页Journal of Xinxiang Teachers College

摘　　要：“自然”是中国古代文论中一个重要的范畴。在中国古代文论中存在着一种以“自然”为核心的文学观，系统体现在魏晋六朝《文心雕龙》、《诗品》两部鸿篇巨制中。刘勰以“自然之道”为基础，以“自然”为核心探讨了文学发生、文学创作以及文学风格等一系列重要问题，建立了相当系统化的“文道自然”观。钟嵘《诗品》则在诗歌理论上确立了“自然英旨”的审美标准，提倡“即是即目”的“直寻”创作方法，进一步促进了“自然”论文学观的确立，并对后世文论影响深远。＂Zi ran＂is an important concept in Chinese ancient literary theory , there is a kind of literary thoughts based on the soul ＂zi ran＂in Chinese ancient theory, and this theory is described systemically in two great works Wen Xin Diao Long, Shi Pin. Liu Xie proved the nacessary of formation and existation of＂Wen＂, analysed the ralationship between ＂Wen＂and ＂Zhi＂, and answered a series of important problems, and further founded systemical ＂Wen Dao Zi Ran＂theory. Zhong Rong with his Shi Pin founded the aesthetical standard of＂ zi ran ying zhi＂, and created a new method of ＂zhi xun＂, believed peoms should be created derecteclly and naturally. They both influenced the following literary theory deeply.

关 键 词：《文心雕龙》 文道自然 诗品 自然英旨 

分 类 号：I01[文学—文学理论]