跨越时空的影像美:历史纪录片在当下的发展——以《复活的军团》为例  

Beauty of the Image: The Current Development of Historical Documentary

作　　者：王瑞林[1] 

机构地区：[1]重庆工商大学文学与新闻学院,重庆400067

出　　处：《重庆邮电大学学报（社会科学版）》2007年第5期100-104,共5页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

摘　　要：传统的历史纪录片由于表现手法的单一和沉闷往往在审美上缺乏一定的可视性。自20世纪90年代以来,中国的历史纪录片从创作理念到表现手法正经历着一次前所未有的嬗变。其中,《复活的军团》无论是从形式上还是内容上都堪称中国当下历史纪录片的代表之作。大量的"情景再现"、唯美的电影造型以及生动的故事手法不仅成就了《复活的军团》,更从一定程度上代表了中国当下历史纪录片的发展新趋势。为此以《复活的军团》为例,以大众文化在中国当下的发展为背景,对中国历史纪录片在当下所呈现出来的新特征和新趋势进行分析和探讨。Because of the singleness and tediousness on representation, the traditional historical documentary lacks of visibility. Since the 1990s, Chinese historical documentary has experienced an unprecedented change from its creative idea to means of expression. And no matter in forms or in contents, ＂Revived Corps＂ can be the representative work in contemporary Chinese historical documentaries. Lots of reappearance of scenes, beautiful cinematic sculpts and vivid narrative ways not only bring the achievements to ＂Revived Corps＂ but also represent the current developing trend in Chinese contemporary historical documentary. Taking ＂Revived Corps＂ as an example and the development of mass culture in China as the background, this paper analyzes the new characteristics and trends of Chinese historical documentary.

关 键 词：历史纪录片 情景再现 故事手法 文化内涵 

分 类 号：J952[艺术—电影电视艺术]