论《朱文走鬼》与闽南鬼神观念  

On Zhu-Wen Zou Gui and Concept of Ghosts and Gods in South of Fujian

作　　者：郑小雅[1] 

机构地区：[1]泉州师范学院人文学院,福建泉州362000

出　　处：《泉州师范学院学报》2007年第5期15-18,共4页Journal of Quanzhou Normal University

基　　金：泉州市社会科学研究(2006-2007年度)规划课题资助项目(C-ZZ04)

摘　　要：泉腔梨园戏残抄本《朱文走鬼》,乃宋元南戏佚篇。其作品艺术风貌的形成深受闽南鬼神观念的影响。闽南鬼神观念不仅决定了《朱文走鬼》的主题思想与人物性格,还左右着情节关目的设置与发展,同时促成了作品诙谐娱乐的审美趣味。Zhu-Wen Zou Gui is an incomplete transcript of Quanzhou tune Chinese traditional opera,and is a lost piece of Southern traditional opera in Song and Yuan dynasties. The artistic style and features of the works has been influenced by the concept of ghosts and gods in the South of Fujian. The concept not just decides the theme thought and personage nature,but influences the setting and development of the plot, meanwhile, helps to impart an aesthetic taste of humorous.

关 键 词：《朱文走鬼》 鬼神观念 艺术风貌 

分 类 号：I237[文学—中国文学]