重读《简·爱》  

Rereading Jane Eyre

作　　者：王文惠[1] 

机构地区：[1]湖北师范学院公共外语部,湖北黄石435002

出　　处：《四川教育学院学报》2007年第9期29-30,44,共3页Journal of Sichuan College of Education

基　　金：湖北省教育厅思政处2007年人文社会科学研究项目"英美现当代女权主义文学作品研究"(项目编号:2007Q049)的阶段性研究成果

摘　　要：作为十九世纪英国女性哥特文学的经典代表,夏洛蒂.勃朗特的小说《简.爱》在很长一段时间里曾被看成一部灰姑娘式的浪漫爱情小说。文章从当代女权批评关于女性哥特文学的理论立场出发,借助福科的权利话语理论,对这部现代女性文学的经典之作进行重读。文章通过对小说中恐怖神秘的氛围描写、人物塑造的哥特式特征进行分析,指出小说《简.爱》在讲述一个传统爱情故事的外表下,揭示了女性本能而不妥协地要求反抗男性社会权利话语并挣脱男权控制,在女性主体意识觉醒的基础上逐步实现自我超越的过程。As a classical representative of British feminine Gothic literature in the 19th century, Jane Eyre by Charlotte Bronte has been considered as a romantic love story like the kind of Cinderella for a long time. From the viewpoint of feminine Gothic theory in modem feminine criticism, together with Foucault~ discourse right theory, the paper reinterprets the modern female in this classical work. By analyzing the horrified and mysterious atmosphere and the Gothic characteristics in building characters, the paper points out that under the cloak of the traditional love story, Jane Eyre revels that out of female＇s intuition, the female requires to object to the discourse right in patriarchy society, and thus break the control from the patriarchy.

关 键 词：《简·爱》 女性哥特小说 恶棍英雄 神秘恐怖 

分 类 号：I106.4[文学—世界文学]