论彭燕郊桂林前期诗歌中的现代主义  

Transcendence and conversazione——Modernism in Yanjiao Peng's first-phase poetry in Guilin

作　　者：刘长华[1] 

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《中国文学研究》2007年第4期86-90,共5页Research of Chinese Literature

基　　金：湖南省教育厅优秀青年项目"20世纪湖南作家与世界文学";编号:[06B062];湖南省哲学社会科学成果评审委员会立项课题"现代湖南作家与世界文学";编号:[0606027A]

摘　　要：本文认为,在桂林前期的彭燕郊深受着"无家可归"意识的支配,作品贯穿着对荒原的认真关注和对乡野深切的眷恋,反思和批判工业或现代文明的意识强烈。诗人的现代主义情怀更加凸显,具有了与世界文学思潮对话的可能,既合时宜地反映了现代化进程中的中国社会情状,也标志着诗人艺术表现上的先锋性和较大的发展空间,在诗人心路历程中具有界碑性的自我超越意义。in this essay, the author perceive that yanjiao Peng was deeply controlled by “homeless” consciousness in the first -phase in Guilin, the sense of serious attention to the wilderness, heartfelt sentiment to the country side and the strong con- sciousness of profound consideration and criticism to the industry and modern civilization shine upon throughout his article. Those reflect the poet＇s modernism feelings, which lead to the possibility conversazione with the trend of thought in literature of the world. It is the mirror of the time; reflect the social situation of China in the modernism procedure, symbolize the pioneer state and extensive development of the poem＇ s artistic expression. It is a boundary monument and transcendence in his spirit journey.

关 键 词：彭燕郊 桂林前期 现代主义 

分 类 号：I206[文学—中国文学]