《文集百首》与白居易的中隐思想  

One Hundred Poems and Essays and Bai Juyi's Idea as Moderate Hermit

作　　者：隽雪艳[1] 

机构地区：[1]清华大学外语系,北京100084

出　　处：《外语教学》2007年第6期71-74,共4页Foreign Language Education

基　　金：教育部人文社科基金项目"日本句题和歌研究"(项目号:06JA75047-99012)的部分研究成果

摘　　要：9世纪中叶,白居易还在世的时候他的诗文集就已经传到了日本,此后至少400年间在日本一直十分流行,受到古代日本文人的极大尊崇。不过,随着时代的变迁日本对白居易文学的受容也是不断发生变化的。本文以日本镰仓时代初期问世的《文集百首》为中心,仅就白居易在日本历史上的隐者形象略作钩沉和叙述,同时,也通过本文的分析揭示了日本人吸收中国文化时的取舍选择和具体过程。Bai Juyi＇s poems and essays were introduced to Japan when the poet was still alive in the mid 9th century. Theses poems and essays were popular in the following 400 years and admired greatly by Japanese scholars. However, the reception of Bai Juyi＇s literature was not the same in different periods. This article will discuss Bai Juyi＇s image as a hermit in Japanese history with a focus on his One Hundred Poems and Essays published in Japan＇s Kamakura period. The text analysis will explore the process of the rejection and acceptance by Japanese scholars in their learning of the Chinese culture.

关 键 词：白居易 中隐思想 句题和歌 文集百首 

分 类 号：I313.44[文学—其他各国文学]