论新时期文艺民族化思潮的审美价值取向  

On Aesthetic Value of Chinese Literature and Art of National Trend of Thoughts in New Period

作　　者：张鹏飞[1] 

机构地区：[1]亳州师范高等专科学校中文系,安徽蒙城233500

出　　处：《合肥学院学报（社会科学版）》2007年第6期64-68,共5页Journal of Hefei University:Social Sciences

基　　金：安徽省教育厅人文社科项目研究课题(2006SK316)资助

摘　　要：中国新时期文学在经济全球化与文艺民族化的紧张关系中,由持续的现代化追求导致了文艺民族化身份模糊乃至丧失,并随之产生了民族文化身份认同的焦虑。它源自于汉语文学在"中、西结构"中的位置、在世界文学格局中的地位和在全球化与民族化张力中的特殊处境。当前中国文学现代化运动的必然结果是导致全球化语境把中国作家个体和文学写作带入了一个崭新的时空维度。这个新维度对于文学写作的根本意义在于承受、反抗一种文化的民族虚无主义,面对西方的文化霸权主义,采取平视的审美视角,以实现中国文化由"拿来"到"输出"的转化,这将成为中国后现代作家个体自我认同和文学写作的基本动机和主题。The serious cultural situation, affected by the global-economy and along with the influence of modernization, has been causing Chinese national literature and art to lose its superior place. And at the same time it has brought some anxiety to the existence and development of Chinese national culture. Such anxiety results from the particular position of Chinese literature in ＂the Oriental-Western literature structure＂ and the special place in the situation of the global-economy verse Chinese culture. The result of modern Chinese literature movement will be that the global-culture is bound to bring Chinese writers and literature creating to a new, competing era. Under the threat of the Western cultural expansion, the fundamental significance of the literature creating exists in how to resist the national nihilism to Chinese culture and how to adopt sound judgment and aesthetic attitude in order to accomplish cultural transferring from ＂ picking up externally＂ to ＂ spreading outward＂. These viewpoints will inevitably become the basic motive and the main aims for Chinese contemporary writers to carry out Chinese culture and flourish Chinese national literature.

关 键 词：文艺民族化 文学现代化 全球化语境 文化一体化 东学西渐 审美关联 

分 类 号：I021[文学—文学理论]