从《祝发记》、《虎符记》看张凤翼戏曲的道德关怀  

Just View ZHANG Feng-yi＇s Moral Solicitude in Traditional Opera from His Operatic Works Zhufa and Hufu

作　　者：史春燕[1] SHI Chun-yan （Xuzhou Institute of Engineering, Xuzhou 221008,China）

机构地区：[1]徐州工程学院,江苏徐州221008

出　　处：《徐州工程学院学报》2007年第9期23-26,共4页Journal of Xuzhou Istitute of Technology

摘　　要：有益风化的戏曲教化观一直备受明清曲家的重视，许多曲家常常借戏曲来宣扬封建伦理道德，而晚明曲家张凤翼则在戏曲的教化观上有着自己的思考，表现出独特的道德关怀。Instructive concepts beneficial to morals and manners had always been valued by opera writers of the Ming and Qing Dynasties and frequently many of those writers were advocating feudal morals with their works. But, Zhang Feng-yi, an opera writers in the late stage of the Ming Dynasty, had some ideas of his own, showing his distinctive moral solicitude.

关 键 词：张凤翼 《祝发记》 《虎符记》 戏曲道德关怀 

分 类 号：I207.37[文学—中国文学]