女妖女魔之人性——《西游记》的世俗性叙事观点  

Humanity of Women Spirits and Women Ghosts: Secular Narratology in A Journey to the West

作　　者：王学钧[1] 

机构地区：[1]江苏省社会科学院文学研究所,江苏南京210013

出　　处：《江苏海洋大学学报（人文社会科学版）》2007年第4期25-28,共4页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

摘　　要："妖"与"魔"是两种不同的观念,前者为中国所固有,后者是随汉译佛经入华的外来观念。但是,《西游记》却按统一的中国世俗女性美观念将女妖、女魔和西梁女王一样想象、塑造为中国式的小脚美女。其中尤对女魔罗刹女寄寓同情,描写她遭受中国式家庭妇女可能遭受的三大根本不幸,赞她在"经藏中万古流名"。由此可证,《西游记》其实是以统一的世俗性叙事观点,借女妖、女魔之名编撰自以为有意味的世俗女子故事,同时也可证作者的佛学常识极为匮乏。Spirit and ghost are two different concepts, the former being Chinese but the latter, foreign and introduced into China by Buddhist scriptures. However, the author of A Journey to the West characterizes, in accordante with the mundane standard of aesthetics, all the women spirits and ghosts into Chinese beauties. Ghost Luo Sha is a case in point. She is depicted as a typical Chinese woman suffering from various misfortunes, and thus she is pitiable and eulogized. In this sense, the novel is taking a mundane narratology to describe stories of common women in the name of spirits and ghosts. What we can also learn is that the author is ignorant about Buddhism.

关 键 词：《西游记》 世俗性 叙事观点 女妖 女魔 

分 类 号：I206[文学—中国文学]