莫里森《宠儿》中的后现代主义碎片  

The Post-modernist Fragments in Toni Morrison's "Beloved"

作　　者：王玉华[1] 杜松[1] 

机构地区：[1]黑龙江大学西语学院,黑龙江哈尔滨150080

出　　处：《哈尔滨学院学报》2007年第12期87-89,共3页Journal of Harbin University

基　　金：黑龙江大学青年科学基金项目;项目编号:QW200426

摘　　要：拼贴是后现代主义文学作品中的代表性写作手法,是后现代主义作家解构传统意义,颠覆传统文学模式的有力武器。在莫里森的《宠儿》中,拼贴手法与传统文学形式和语言产生了碰撞,并最终获得了一种完美的结合。文章着重从片断的文本体现到这些碎片所体现出的内在联系入手,由表及里地向读者展示拼贴的特殊魅力。Collage as the representative writing technique of post-modernist works, is the strong weapon in the hands of post-modernist authors to deconstruct the traditional meaning and to overthrow the traditional literary mode. However, now collage is also being more and more widely used by non-postmodernist writers in order to achieve a special literal effect. In the novel of Beloved,one of the representative works of Toni Morrison who is a world-famous African- American woman writer, collage collides with the traditional literary pattern and language while finally wins the perfect integration with it. This paper emphasizes such aspects as the text expression of fragments, and then the internal relations behind those fragments to show the special charm of the art of collage in this work.

关 键 词：拼贴 莫里森 《宠儿》 碎片 主题 读者 

分 类 号：I106.4[文学—世界文学]