礼教趣旨与志怪反观——“剪灯三话”题材研究  

Research on Traditional Social Morals and Ghost Story Tradition of The Three Legends of Paper-cut Lantern

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作  者:刘欢萍[1] 

机构地区:[1]南京师范大学文学院,江苏南京210097

出  处:《宁波教育学院学报》2007年第6期44-47,共4页Journal of Ningbo Institute of Education

摘  要:"剪灯三话"是明代三部重要传奇小说集,在中国文言短篇小说发展史上,它们起着上承唐传奇、下启《聊斋志异》的重要桥梁作用。"三话"作为自为的小系统,其题材选择的承传沿袭呈现出情与理的消长搏击、现实与历史的离奇反思的审美特色。此种特色的形成与时代环境、小说思潮、作家个人素质等方面息息相关。The Three Legends of Paper-cut Lantern are the most important three legends of Ming Dynasty. They plays a transitional role in connecting legends of Tang Dynasty and Strange Tales from a Lonely Studio in the history of classical Chinese short story. The theme of The Three Legends of Paper-cut Lantern displays the complementary balance between affection and reason, and the aesthetic characters of reflection between reality and history. The formation of this feature has close connection with the historical background, ideological trend of novels and authors' personal quality.

关 键 词:“剪灯三话” 风情 教化 反思 

分 类 号:I207.41[文学—中国文学]

 

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