揭秘“维纳斯的腰带”——童庆炳的“文学审美特征论”研究  

Unveiling "Venus'Waistband"——A Study of Tong Qingbing's "Theory of the Literary Aesthetic Feature"

作　　者：孙书敏[1] 

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《东疆学刊》2008年第1期64-69,共6页Dongjiang Journal

基　　金：国家"十一五"社科基金项目<中国新时期文艺理论家研究>(批准号:07BZW006)之部分内容

摘　　要：新时期初始,在我国文论试图摆脱政治和哲学束缚、回归自身的文化语境下,童庆炳提出的"文学审美特征论"将文学的根本特征由形式决定的形象特征重新归为由内容决定的审美特征,并提出了"文学的特殊本质是审美"的科学论断。"文学审美特征论"运用马克思的价值论从美学角度确定了文学的本质是审美,区别了文学与非文学,回应了历史要求。"文学审美特征论"具有多元开放的理论视野、辩证思维的理论方法和继承发展的理论精神,这样的理论特色使其不断保持内在活力。In the late 1970s ,when China＇ s literary criticism tries to smash political and philosophical fetters and return to its own cultural context,Tong Qingbing puts forward his ＂theory of the literary aesthetic feature＂, in which he reclassifies the image feature determined by form （the fundamental feature of literature） as the aesthetic feature determined by content ,and sets forth his theory ＂The specific nature of literature is aesthetics＂. By applying Man＇s theory of value,Tongrs ＂theory of the literary aesthetic feature＂ defines the aesthetic nature of literature, distinguishes between literature and nonliterature, and meets the historical demand. Since the theory is characterized by its open and pluralistic theoretical vision, its dialectical theoretical methodology and its spirit of theoretical inheritance and development,it can constantly exhibit its internal vigour.

关 键 词：童庆炳 “文学审美特征论” 理论背景 理论内涵 理论特色 

分 类 号：I01[文学—文学理论]