重写，或现场：中国建筑与当代艺术结合的十年  

Rewrite,or the Scene Ten-year Marriage between Architecture and Contemporary Art In China

作　　者：周诗岩[1] 王家浩[2] 

机构地区：[1]复旦大学视觉文化研究中心 [2]中国现代艺术档案基金(北京大学)

出　　处：《时代建筑》2008年第1期14-23,共10页Time + Architecture

摘　　要：文章介绍了中国建筑与当代艺术结合的十年。因为对有关历史的线性发展式"重写"持有怀疑.作者尝试通过一种现场化的叙述方式,呈现当建筑师和艺术家具有相异身份的个体实践被"捆束"后.个体和整体在运动状态上的变化。作者进而通过分析身份的自我认同与社会认同之间相互映射的复杂关系指出,集聚的意义在于,每一个身份进入共同现场都能成为一次持续的施力和受力过程,都会在推动集体涌动的同时发生自身的蜕变,因而集聚的效应究竟如何,必然只能在历时性的观察中,而非快速的重写中,被检验。This article introduces the ten-year marriage between architecture and contemporary Art in China. Being suspecting of a linear historic ＂rewriting＂, the authors attempt to use another narrative mode which is more close to the scene where the fluctuation of different identities of individuals, as well as groups, occurred after the practices of some architects and artists were ＂bound together.＂ Furthermore, through the analysis of the inter-mapping relationship between self identity and social identity, the authors regard the signification of aggregation as such an effect that each special character entering a common field, as a procedure of stressing and straining, could not only transmute the individual itself, but also stimulate the group to fluctuate at the same time. Therefore, aggregation effect can be tested only in the diachronic observation, but not in the instant-rewriting.

关 键 词：重写 现场 集聚 捆束 身份 认同 中国建筑 当代艺术 

分 类 号：TU-80[艺术—艺术设计]