一个沦陷区诗人的生命之维——论南星20世纪40年代的诗歌创作  

On the Poetic Creation of Nan Xing,a Poet in 1940S in Japanese Occupied Areas

作　　者：马前[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《西华师范大学学报（哲学社会科学版）》2008年第1期43-46,共4页Journal of China West Normal University:Philosophy & Social Sciences

摘　　要：沦陷区诗人南星于20世纪40年代创作的诗歌具有很强的共性,它们具有浓厚的古典主义情调,和谐宁静。而"庭院"一词,作为他诗歌中的常用意象,具有强烈的象征意义。它象征着这些诗歌内部空间的自足与封闭。而作为这一时期诗歌创作特例的《沉忧》则象征着对"庭院内的世界"的突围。它和南星其他诗歌一起,反映着诗人的创作心态和时代语境耐人寻味的关系。The poems which Nan Xing wrote in 1940s in Japanese occupied areas share some strong similarities and they are classical and harmonious. The Yard, as a commonly used image in his poems, indicates that the poet has set the boundaries for his poems thus the inner spaces of the poems are limited. The poem Melancholy as a different case in Nan Xing＇s poems indicates the breakout from the world inside the Yard. Melancholy and Nanxing＇s other poems reflect the interesting relationship between poet＇s mind and the times.

关 键 词：庭院 沉忧 突围 时代语境 生命之维 

分 类 号：I206.6[文学—中国文学]