梁武帝“不知四声”辨  

A Discussion on Xiao Yan's Ignorance of Four Tones

作　　者：徐宝余[1] 

机构地区：[1]上海师范大学人文与传播学院,上海200234

出　　处：《南阳师范学院学报》2008年第2期65-69,共5页Journal of Nanyang Normal University

基　　金：上海市社科基金项目(CW0624)

摘　　要：梁武帝并非不知四声,而是主观上排抑四声。有关文献关于梁武帝不知四声的记载是不可靠的。梁武帝排抑四声,与沈约有关。萧、沈之间,既存在着音乐、文学上的观念差异和文坛宗主的地位之争,也存在着由政权更迭而带来的心理猜忌。永明声律论在梁初三十年左右之所以未能大行其道,与武帝排抑四声有着至为密切的关系。Xiao Yan had the knowledge of four tones,but he discriminated against it on purpose.Therefore, relevant historical literature recording his ignorance of four tones was unreliable.His discrimination against four tones was related to Shen Yue.There were not only the different opinions on music and literature, and the struggle of the leader of the literature field between them, but also the suspicious psychology due to the change of dynasties.So, the reason why Yongming Prosody could not have its way in the Early Liang Dynasty had a close relation to Xiao Yan＇s discrimination against four tones.

关 键 词：四声 声律论 沈约 萧衍 

分 类 号：I206.2[文学—中国文学]