儒家文化与多重结构的文化在“家”中的体现——巴金的《家》与岛崎藤村的《家》的比较  

The Embodiment of Confucian Culture and Multi-layer Structure Culture in the "Home"——The Comparison of Ba Jin's Home with Shimazaki Toson's Home

作　　者：杨宗蓉[1] 

机构地区：[1]吉林大学文学院,吉林长春130012

出　　处：《通化师范学院学报》2008年第3期69-72,80,共5页Journal of Tonghua Normal University

摘　　要：中国作家巴金的《家》与日本作家岛崎藤村的《家》都是以"家族"为题材的小说。它们表现了共同的主题:家的衰败与人的发现。但由于二者在家族文化的建构与家族继承关系,以及烟酒文化对人物的塑造方面的不同处置,因而两部作品表现出不同的文化形态和内涵,即儒家文化与多重结构的杂种文化。Chinese writer Ba Jin and Japanese writer Shimazaki Toson all took the ＂family＂ as the theme of the novel Home. They showed the common theme： the declining of family and the discovery of human. But the family culture＇s building and the primogeniture, as well as the culture of tobacco and alcohol on shaping the characters, made the works display two different cultural forms and connotations, which was the mixed culture of Confucian culture and multi-layer structure culture.

关 键 词：巴金 岛崎藤村 《家》 长子继承制 烟酒文化 

分 类 号：I0-03[文学—文学理论]