《活着》在读图时代的审美嬗变——小说与影视之比较  

The Aesthetic Transmutation of the Novel To Live in Drawing-interpretting Times

作　　者：高文艳[1] 

机构地区：[1]太原大学教育学院,山西太原030001

出　　处：《太原大学教育学院学报》2008年第1期49-53,共5页Journal of Education Institute of TAIYUAN University

摘　　要：在读图时代,小说《活着》及由此改编的电影和电视剧,作为三种不同的艺术创作,有着复杂的联系和区别。文章从场景安排、人物塑造、叙事策略和主题表现四个方面分析了小说和影视的区别,并阐释了小说《活着》在读图时代的审美嬗变,对"活着"的理解与表现也做了初步的探究。In Pictorial Times, the novel To Live and the adapted movie ＆ TV plays based on it,bears complicated connections and distinctions. The article discusses the distinctions among these art forms from the point of scene anangement, characters make-up, the strategies of nan＇action and the empresion of the theme. In addition,the article discusses the Aesthetic Transmutation of novel leading in Pictorial Times, the article also presents my understanding of To Live.

关 键 词：《活着》 读图时代 审美嬗变 小说 影视 

分 类 号：I207[文学—中国文学]