唐代文学中的桃花意象  

Peach-Blossom Images and Literature of Tang Dynasty

作　　者：渠红岩[1] 

机构地区：[1]南京师范大学文学院

出　　处：《南京师大学报（社会科学版）》2008年第2期122-127,共6页Journal of Nanjing Normal University(Social Science Edition)

基　　金：江苏省社科基金项目(06JSBZW006)

摘　　要：桃花是中国古代文学中重要的植物意象和题材。由于桃在唐代分布和社会利用的普遍而引起了文人的广泛关注和喜爱。唐代文学中桃花题材和运用桃花意象的作品较前代大幅增加,反映了桃花意象在唐代文学中的重要地位。有关题材进一步开拓,美感特性深入挖掘,情感和思想寓意充分展开,表达技巧明显提高,显示了桃花意象丰富的审美和文化意蕴。唐代文学在桃花意象的审美认识和艺术表现等方面取得了很高的成就。Peach blossoms are favorable images and themes in ancient Chinese literature. Due to the commonality of peach fruit in the daily life, they are much loved by man of letters in the Tang Dynasty. In literature of the Tang Dynasty, literal works with peach blossoms as images and themes turn to be much more than those in the previous dynasties, which makes clear the importance of peach blossoms in Tang literature. The richer the related subject matters, aesthetic traits, emotion and sensibilities and moral implied, the more developed their artistic expressions. Consequently, the peach-blossom images turn to be with abundant aesthetic and cultural significations. In Tang literature, much is achieved in the aesthetic appreciation and artistic expression of peach-blossom images.

关 键 词：唐代文学 桃花 题材 意象 审美 

分 类 号：I206.2[文学—中国文学]