马克思主义文艺理论中国化的早期历程  

The Early Course of the Sinicization of Marxist Theories of Literature and Art

作　　者：张宝贵[1] 

机构地区：[1]复旦大学中文系副教授,上海200433

出　　处：《中国社会科学》2008年第2期140-151,共12页Social Sciences in China

基　　金：教育部重大攻关项目(04JZD0034)的阶段性成果

摘　　要：马克思主义文艺理论的中国化,是一个具有理论价值和现实意义的研究课题。而对马克思主义文艺理论中国化的早期历程,长期以来更是学术研究的一个薄弱环节。中国的马克思主义文艺理论,一开始就是应中国的社会实际命运而生,它绝非一种单纯的文艺理论现象。强调文艺对现实的介入,是马克思主义文艺理论最富生机的部分,不应以强调文艺的自身规律为由,对之进行忽视、漠视、消解甚至否定。当然,在介入方式上,应正确领会和发挥马克思主义的经典理论,避免身份错位和忽略文艺特点的不足,以便让文艺以诗性精神构建现实的维度,以自身的方式来为社会现实服务。The sinicization of Marxist theories of literature and art is a research subject of both theoretical and practical significance. However, the early period of this sinicization has long been a weak link in academic research. From the outset, Marxist theories of literature and art grew out of Chinese society's actual fate, and were certainly not a purely theoretical phenomenon. The emphasis on involving literature and art in real life is the most vital part of these theories, one which should not be neglected, disregarded, dispelled or even denied because of an emphasis on the inherent laws of literature and art. Of course, as far as the method of intervention is concerned we should correctly understand and give full play to classic Marxist theory, avoiding the shortcomings of misplaced identification or neglect of the role and characteristics of literature and art so as to enable them to construct the dimension of reality with their own spirit of poetry.

关 键 词：马克思主义文艺理论 中国化 早期历程 社会实践 文艺规律 

分 类 号：I0[文学—文学理论] G644[文化科学—高等教育学]