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作 者:杨迎平[1]
出 处:《长江师范学院学报》2008年第2期12-16,共5页Journal of Yangtze Normal University
基 金:教育部人文社科规划项目"施蛰存研究"(07JA751037);湖北省教育厅项目成果之一
摘 要:左翼作家与新感觉派作家都进行了上海的都市抒写,但由于他们的性格与追求的不同,其笔下的都市也迥然相异。当新感觉派表现中国现代城市社会的"风俗"的时候,左翼作家却表现发生在中国的政治风云的变幻;当新感觉派关注"人"与"都市"的关系时,左翼作家在关注"人"与"人"的关系;当新感觉派运用现代主义方法描写都市的变异的时候,左翼作家仍然用现实主义方法描写社会种种腐败龌龊的实在情形。新感觉派的主观的心理分析与左翼作家的客观的社会分析共同创造了中国现代文学的都市风景线。Both left-wing writers and the writers of new-sensation school write about Shanghai metropolis. However, because of different characters and pursuits, there are different versions of the metropolis in each of their writing. While writers of new sensation school focus on the “customs” of modern Chinese metropolis, the left wing writers focus on the political changes of China. While the former are interested in the relationship between “man” and “metropolis” , the latter are paying attention to the relations between “person” and “person” While the former write about the changes of metropolis with modernist method, the latter describe the actual situations of various social corruptions with realist method. The subjective psychological analysis of new-sensation school writers and the objective social analysis of left wing writers have co-created the metropolitan landscape of modern Chinese literature.
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