论现代凹版画的质感语言  

The Texture Language of Modern Gravure Painting

作　　者：周暾[1] 

机构地区：[1]宁波大学建筑工程学院,浙江宁波315211

出　　处：《艺术探索》2008年第1期56-57,共2页Arts Exploration

摘　　要：文章对凹版画中的印痕语言进行深入分析,分别阐述了凹版画质感语言的缘起、制作过程中偶发印痕的审美、不同材质印痕质感的审美及不同印痕质感的对比审美等问题,对现代凹版画语言变迁中质感语言的发展提出了独特看法。After 1980's, there are some revolutionary changes in Chinese Gravure painting. The raising of the texture language was its most evident distinction. This paper makes a deep analysis of the print-mark language in Gravure painting. It includes: the origin of the texture language in Gravure painting; the appreciation of the occasional print-mark ; the different appreciation of the print-mark texture language made by different materials; the appreciation in the comparition of different print-mark texture languages; it also puts forward varied views about the development of texture language in the changing course of modern Gravure painting.

关 键 词：质感语言 印痕 对比 

分 类 号：J217[艺术—美术]